ROAD TO RACE DAY
NASCAR
POSITIONS
Cinematographer
Post-production Manager
From executive producer Peter Berg, creator of Friday Night Lights and Lone Survivor, this series takes an unprecedented view behind the NASCAR curtain. The project closely follows the people who make Hendrick Motor Sports the most successful NASCAR team of all time.
A milestone achievement in my career, this project brought a level of intensity unmatched by any other work I’ve done. For an entire year, we spent two weeks of each month shooting. We’d start at the Hendrick Motorsports facility in Charlotte, NC, and then hit the road to the race tracks—Daytona, Bristol, Sonoma, Tallahassee, and Indianapolis.
Creatively, we took a dual-perspective approach. One team (Director Cynthia Hill, DP Rex Miller, and I) followed the racing team, while a second team (Blaire Johnson and Mark Barroso) captured the fan life. The parallel storylines for each race truly crafted a complete picture, race to race.
“ “THE INTENSITY OF THIS PROJECT WAS PROFOUND. WITH EACH RACE, WE LEFT PART OF OUR SOULS ON THE TRACK.” ”
(Josh Woll)
“ “THIS PROJECT WAS DEFINITELY A LESSON IN PERSEVERANCE FOR ME, PUSHING MY CREATIVE GROWTH—AND CAPABILITIES—TO NEW LEVELS.” ”
(Josh Woll)
If you’ve ever been to a NASCAR race, you know the extreme impact on the senses—sights, sounds, and smells that take the experience to new heights. Because of this, we had to be hyperaware of our surroundings at all times. Temperatures sometimes exceeded 110 degrees and some 18-hour shooting days added to the project’s intensity. Wearing special headphones to block the deafening decibel levels, the key to success was in carefully watching for the story to unfold.
In addition to being one of the main cameras, I was also in charge of the multiple GoPros used to get additional perspectives—on the vehicle haulers, in race team meetings, at the pit in and the crew chief box. Getting the timing right among all these shots was imperative.
During the year of post-production, I eventually served as post-production manager, overseeing the VFX schedule and ensuring on-time delivery.
CREDITS
CLIENT: Go90
AGENCIES: Film45 + Markay Media
DIRECTOR: Cynthia Hill
DPS: Blaire Johnson, Rex Miller, Josh Woll
SOUND: Cynthia Hill and Mark Barroso
EDITING: Tom Vickers
POST PRODUCTION: Markay Media
VFX: Cristian Cardozo